SKU: 1822987155

Coemo elektrischer Lattenrost PREMIUM 42 Leisten, Kopf- und Fußteil verstellbar, Bausatz

$133.20 $148.00
Save 10%
No.2 Bestseller on belilabod.com >

Pay in installments of $37.00 with ShopPay, AfterPay and Klarna

Shipping Estimate
USA
  • USA
  • CAN

Ships within 48 hours · Estimated delivery Jul 30 - Aug 4

Promo Codes Available:

For Your Every Summer RSVP, with Code: SUMMER15

Description

Coemo elektrischer Lattenrost PREMIUM 42 Leisten, Kopf- und Fußteil verstellbar, BausatzErleben Sie totalen Komfort mit dem elektrisch verstellbaren Lattenrost mit 42 Latten Mit dem elektrischen Lattenrost mit 42 Leisten bieten sich Ihnen mehr Einstellmglichkeiten als bei manuell verstellbaren Lattenrosten. Alle Einstellungen lassen sich bequem und einfach mittels einer Fernbedienung vornehmen. Das lstige Manvrieren mit der Matratze fllt komplett weg. Im Handumdrehen knnen Sie leise und sanft Positionen zur Entlastung der Beine oder zum

Erleben Sie totalen Komfort mit dem elektrisch verstellbaren Lattenrost mit 42 Latten

Mit dem elektrischen Lattenrost mit 42 Leisten bieten sich Ihnen mehr Einstellmöglichkeiten als bei manuell verstellbaren Lattenrosten. Alle Einstellungen lassen sich bequem und einfach mittels einer Fernbedienung vornehmen. Das lästige Manövrieren mit der Matratze fällt komplett weg. Im Handumdrehen können Sie leise und sanft Positionen zur Entlastung der Beine oder zum aufrechten Sitzen im Bett realisieren.

Die Grundausstattung des elektrischen Lattenrosts mit 42 Leisten

Der elektrische Lattenrost besteht aus 42 Latten, die aus mehrfach verleimtem Schichtholz hergestellt sind. Sie sind elastisch und mit herausragender Federung ausgestattet. Gelagert werden sie in unterschiedlich weichen Gummikappen. Weiche Zonen für die Schulter- und Beckenpartien und harte Zonen für andere Körperpartien sorgen für unterschiedliche Einsinktiefen und hohen Schlafkomfort. Vier Doppelleisten in der Mitte lassen sich individuell in der Festigkeit einstellen. Ein schwarzer Mittelgurt sorgt für zusätzliche Stabilität. Die Verstellbarkeit des Kopfteils ermöglicht Sitzpositionen im Bett zum Lesen oder Frühstücken. Das verstellbare Fußteil entlastet die Beine und fördert die Durchblutung.

Motor und Antrieb des elektrischen Lattenrosts mit 42 Federleisten

Im Unterschied zu manuell verstellbaren Lattenrosten, weist der elektrische Lattenrost jeweils zwei Gelenke pro Kopf- und Fußteil auf. Das Kopf- und das Fußende lassen sich getrennt voneinander ansteuern. Der OKIMAT Motor mit doppeltem Antrieb wird über eine Kabel-Handsteuerung bedient. Die Motorsteuerung arbeitet leise und mit einer einstellbaren Geschwindigkeit von 3,8 mm/sec. Die Hublänge für den Rücken- / Beinabschnitt beträgt 69 / 74 /87 mm. Im Standby-Modus verbraucht die Steuerung weniger als ein halbes Watt.

Produkteigenschaften

  • Motorrahmen mit elektrisch verstellbarem Kopf- und Fußteil
  • ein leistungsstarker Motor mit Notstromabsenkung
  • 42 mehrfachverleimte, stabile Federholzleisten
  • Lagerung der Leisten in verschleißarmen Duo-Kappen, für Federungskomfort über die gesamte Rahmenbreite
  • 7-Zonen Schulter- und Beckenkomfort durch weichere Kappen
  • individuelle Härtegradeinstellung der Mittelzone durch 4 Härtegradleisten, 8 Schiebeelemente
  • Lieferzustand: zerlegt, zur Selbstmontage
  • Ausführung der Trio-Kappen und Leistenfarbe kann variieren!
  • Lattenrost muss an den Längsseiten aufliegen
  • für alle Matratzenarten geeignet

Technische Daten des elektrischen Lattenrostes mit 42 Leisten

  • Motor OKIMAT 4 IPSe, mit einem Kabel-Handgerät
  • Eingangsspannung: 230 - 240V AC
  • Ausgangsspannung: 24 V DC
  • IP-Schutzart: IP20
  • Doppelter Antrieb
  • Maximale Belastung pro Seite 5500 N
  • Einstellbare Geschwindigkeit 3,8 mm/sek. bei 5500 N
  • Hublänge des Rücken-/Beinabschnitts 69/74/87 mm
  • Stromverbrauch im Standby-Modus < 0,5 W
  • Lattenrost muss an den Längsseiten aufliegen
  • Achtung: Nicht verwenden in Betten mit Stauraum, Betten mit Querstreben, Betten mit Diagonalstreben

Versand und Montage

  • Lieferumfang: 1 Lattenrost
  • Lieferzustand: zerlegt, mit ausführlicher Aufbauanleitung

Achtung! Motorrahmen benötigen Baufreiheit über die gesamte Liegefläche. Für den Motor werden mindestens 12,5 cm benötigt. Bitte überprüfen Sie vor Kauf, ob Ihr Bettgestell für Motorrahmen geeignet ist.

Shipping Notes
  • Free Standard Shipping on $100+ Orders to the USA.
  • Except Preorder products are shipped in 48 hours.
  • Delivery to the USA:
  1. Standard Shipping : 3-10 business days
  • If time is of the essence, please consider selecting expedited delivery for faster service.
Exchange/Return Notes
  • We offer a 30-day return/exchange service after receiving.
  • Final sale items are not eligible for returns or exchanges.
  • To process your return/exchange, please contact us at [email protected]
  • Please click here for more details>>> Return & Exchange Policy
SKU: 1822987155

Discover Niche Categories That Outsell

Top-Converting Item to Boost Your Average Order

4.7 ★★★★★
Based on 5 reviews
Sort
Highest Rating
Newest First
Oldest First
Product Reviews
J
Verified Purchase
jk Smiles
Alexandria, US
★★★★★ 5
A book on dialogue should be experienced first as a book on tape
Format: Audio CD
I think of this more as a great master class lecture. Dialogue should be seemingly simple (we all talk), but McKee defines its essence and differences for prose, stage and cinema. The bulk is narrated by McKee, but the scene examples are read by voice actors and they do quite well. Even the roots of the English language are examined in order to make better decisions on your character's particular use of words. After listening the 10 hours twice while commuting, I finally picked up the book and read it. The book on tape is a better way to initially absorb the material, while the actual book helps to clarify the info. A must for all writers, especially screenwriters.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on August 30, 2018
L
Verified Purchase
Lori T. Sly
Houston, US
★★★★★ 4
Helpful, but not as good as "Story" by same author, and it disses certain genres
Format: Hardcover
This book contains a lot of helpful information on how to write dialogue. It's dense with dialogue analysis and insights, tough to take in by just reading it through once. But it is helpful. McKee covers the three dialogue tiers (said, unsaid, unsayable) as well as how dialogue ties into story turning points and scene conflict type. I still have lots of practice ahead of me to figure out how best to do this in my story. I will definitely use his advice as a guide. He understands dialogue at a much deeper level than I do. However, many of McKee's dialogue examples did not speak to me. While I liked reading the dialogue examples for Breaking Bad, 30 Rock, The Sopranos, Frasier, A Raisin in the Sun, and The Great Gatsby, and agreed they were good, I disliked the dialogue from Shakespeare, Elmore Leonard, Sideways, Fraulein Else, and Lost in Translation. McKee says fine dialogue turns the reader/audience into a mind reader; I guess I'm not interested in movies which expect me to be as much of a mind reader as those latter examples did. I totally missed the subtext of the dialogue in those until he explained it to me as an aside. And that's after I already saw most of those movies! If I have to guess what every character means with every line, that's too much work and too little entertainment for me. Maybe mystery lovers liked the dialogue in "Lost in Translation"; I'm not a mystery lover. McKee quoted one novelist as saying that the crux of good writing is to, "Make em laugh, make em cry, make em wait." Lost In Translation and its dialogue did none of that for me. The subtext was so confusing and subtle that I lost interest in the movie. I can't even remember what it was about anymore, only that it won some award and I had no clue why. McKee says that with rare exceptions, a scene should never be outwardly and entirely about what it seems to be about. Dialogue should imply, not explain, its subtext. An ever-present subtext is the guiding principle of realism. Nonrealism, on the other hand, employs on-the-nose dialogue in all its genres and subgenres: myth and fairytale, science fiction and time travel, animation, the musical, the supernatural, Theatre of the Absurd, action/adventure, farce, horror, allegory, magical realism, postmodernism, dieselpunk retrofuturism, and the like. It's a bit unclear how, if at all, anyone writing in any of these "nonreal" genres should take his dialogue advice. It seems to me that even sci fi scenes need some good dialogue with subtext to be engaging. With McKee, all the accolades go to what is implied and unsaid over what is said. I agree that subtext matters, but for me, he's out of proportion with how much it matters to most people and how hard audiences are willing to work to discover the intended subtext. Also, memorable spoken character lines can elevate movie themes and characterization like nothing else. In the end, I think this book is geared more toward writers who want other advanced writers as their audience rather than the average reader or movie watcher. And McKee admits it is definitely not geared toward sci fi, fairytales/myths, action/adventure, horror or allegory. It's almost as if he's saying those genres can't have excellent dialogue. I disagree. But it was still a helpful book to read, and one I will be thinking about and trying to more fully understand for a long time. McKee understands how character's subconscious drives can deepen what they say or avoid saying, and how dialogue interacts with many other aspects of a story to make it all work together.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on December 12, 2019
R
Verified Purchase
Ray Pryor
West Palm Beach, US
★★★★★ 5
Amazing.
Format: Kindle
Just like a good movie, the first 10 pages = mind blown. Wow, such really, really good material here. If you're new, this will help you a ton. If you're experienced, this book will help you realize WHY great dialogue is so great, enabling you to create the magic again and again. I love how McKee covers several medias ( screen, theater, novel ) but still stays true and clear on the concept. A virtual masterclass on the subject. One of the best screenwriting books out there, and Yes, it's well worth all the hype.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on April 18, 2017
K
Verified Purchase
Kindle Customer
Battle Creek, US
★★★★★ 5
So to speak
Format: Kindle
Previews did not show the Table of Contents, but it is worth searching the web for. The coverage includes practical techniques as well as case studies. Notes cover titles on topics over several decades. This book has four parts about what dialogue is, how it can mended, and how it can be created and designed. Trialogue, the third thing through which a pair of characters channel conflict in conversation, is an interesting concept because it overlaps social networks or media and comms devices; it is also looked at historically. Dialogue is reportedly the quickest way to fix a narrative text since it appeals to intuition. Those levels of depth are what the book is about. They can be found in first person voice. The approach could easily fill a site on the order of tropes for favorite titles, but for deconstruction and revision, which are also relevant to works in progress. It talks about finding characters in the dark, though not necessarily from the milieu, unless it were compressed and made to transfer meaning like in poetry, but reflexive so that it is symmetrical to the characters or human nature. If there is a boundary to be found, then this method is going to hit the lines to find out what happens then. The impact on the rest of the narrative elements is discussed. This extends back through the early philosophers, through tragedy, the merging of European roots into English, and the study of personalities to contemporary customs. Voice is plot.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on June 12, 2017
C
Verified Purchase
cf otto
West Palm Beach, US
★★★★★ 5
ONE OF THE TWO BEST BOOKS ON SCREENWRITING
Format: Hardcover
Probably the best book on screenwriting ever (besides Egri), though there is also much here for the novelist and playwright. I am a professional TV writer, of long-standing (35 years), and I can tell you I used this book to figure out how to fix the problems of a complex pilot I'm writing; the author truly " guided me home." And lest you think I'm a McKee sycophant, I am not. I found little in STORY for me. The only thing I disagree with in DIALOGUE is that the author sells his own work short: it isn't just for those who are "lost" in their writing, like me, and the student, it's for anyone who writes fiction for a living, in any form, no matter how much experience they have. It's that good.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on October 14, 2016

recommand products

Premium Textil-Leinwand Ein Motiv aus dem Kalender Giganten der Urzeit
99.99
Premium Textil-Leinwand Ein Motiv aus dem Kalender "Von Füchsen und Wölfen"
99.99
Premium Textil-Leinwand Hamburger Hafen
99.99
Premium Textil-Leinwand Laughing Skulls - mit Totenköpfen bemalte Gitarre
39.99
Premium Textil-Leinwand Sölden
99.99